Not long after earning major praise at the Festival international de la chanson de Granby, Lisa LeBlanc unveiled her greatly acclaimed, self-titled debut album in 2012. She then released Highways, Heartaches and Time Well Wasted in 2014, followed two years later by the Polaris short-listed Why You Wanna Leave Runaway Queen?. She opted to sing in English on these last two efforts, thus expanding her creative potential and reaching out to new audiences. Those three records sold over 140,000 copies.
A few years later, with a new background as a music producer, she returned in 2022 with the highly anticipated Chiac Disco, which garnered critical and public acclaim, as well as another spot on the Polaris Music Prize shortlist and a Juno nomination. The success of the album led to several European tours, as well as a tour of the United States. During the same period, she gave close to 100 concerts across Canada.
The renowned Acadian singer-songwriter returned on October 11th, 2024 with Live avec l’Orchestre symphonique de Québec, an album recorded at the Grand Théâtre de Québec during an extravagant orchestral show.
Shortly after earning major praise at the Festival International de la chanson de Granby, Lisa LeBlanc released her self-titled debut album in 2012, which received phenomenal acclaim, before going platinum in Canada. The interest for the Acadian singer-songwriter's raw, stripped-down songs and her unique mix of roots, rock and country music was undeniable: she won Revelation of the Year at the ADISQ gala, Revelation of the Year at the GAMIQ and Révélation musique at Radio-Canada.
In 2014, she unveiled the EP Highways, Heartaches and Time Well Wasted, followed two years later by the Polaris Music Prize shortlisted album Why You Wanna Leave, Runaway Queen? On both of these records, she sang in English, expanding her creative potential and opening herself up to new audiences. The three albums sold over 140,000 copies.
Performing just as effortlessly in Caraquet as in Paris or Lafayette, Lisa and her musicians toured relentlessly over the next few years. She took a break from touring in 2019 to write and travel, while she also began to explore work as an artistic director and produced Nova Scotian Jacques Surette’s debut album. Lisa then went on to produce Le tour du Grand Bois, Édith Butler’s 25th album. This new creative path enabled the artist to broaden her musical horizons while using her talents, creativity and passion in service of others.
In the summer of 2020, Lisa embodied her bingo-kitsch alter-ego named Belinda and released a part-joke, part-tribute EP titled It’s not a game, it’s a lifestyle. She began to flirt with disco, which helped set the tone for what would follow. She returned in 2022 with Chiac Disco, a new album co-produced by Benoît Morier. Filled with glittery melodies, colourful lyrics sung loud and proud, and breathtaking arrangements, the record is a salute to the memory of Lee Hazlewood, as well as to the era of disco and funk. Staging the improbable encounter between glamour and rurality, Chiac Disco racked up ADISQ and JUNO nominations, earned a spot on the Polaris Music Prize shortlist, and won Félix awards in the Record Production of the Year and Pop Album of the Year categories. Since then, the musician's catalog exceeds 33 million streams across all digital platforms.
After four European tours (France, Belgium, Germany, Spain and the U.K.) and two stints in the U.S. since the release of Chiac Disco, Lisa LeBlanc returns to the spotlight this fall with the album Live avec l'Orchestre symphonique de Québec. This creative endeavor allowed the Acadian multi-instrumentalist to indulge in her thirst for grandiose arrangements, taking her repertoire to a whole new level. Accompanied by her band, the 63 musicians of the OSQ and conductor Jean-Michel Malouf, Lisa takes the opportunity to bust out the banjo and revisit her classics, proving that this instrument, an integral part of her musical DNA, is not exclusively meant for traditional music. With this first live album, Lisa brings out the contrast between the simplicity of everyday life that characterizes her lyrics and her taste for extravagance, for a result as delightful as it is surprising.
Lisa LeBlanc is back, this time with an Acadian disco release that shimmers with her trademark wit, 10 tracks packed with highly danceable moments and sharp social commentary.
Holly Gordon, CBC MusicBuilding on her trademark wit and humour, LeBlanc's new album Chiac Disco harks back to the dancing days of the 1970s, combining funky rhythms with her Acadian dialect to produce something colourful and exuberant.
Exclaim!L’exploit. La joie. Le miracle. Lisa, quoi. (★★★★ 1/2)
Le DevoirQuelle bonne idée d’avoir immortalisé [sur disque] ce spectacle formidable rempli de clins d’œil, d’émotion et de folie.
La PresseLisa LeBlanc prouve qu’elle sait se réinventer sans jamais perdre l’essence de ce qui fait sa magie.
Rolling Stone QuébecLisa LeBlanc se fait plaisir avec un album live à la démesure de ses ambitions. Un délire artistique où elle se lâche, des arrangements grandioses qui propulsent ses chansons encore plus haut.
France Inter