Magi Merlin goes from sweet and sunny to dark and moody on the new double single Bip / 9volt
Naya Ali returns with new country-inspired rap single Turning Tables
Christian Sean releases riveting alt-pop single Eventide off his upcoming debut album Hallelujah Showers
Shaina Hayes unveils a live session of her song Heat Wave and announces a concert at the Fairmount Theatre
Joe Rocca reunites Dead Obies in a new video for the song Told Ya ahead of the Hybride launch show
Les Breastfeeders release La ville engloutie, their first album in 12 years
Täbï Yösha returns with Truth Lays, a new sensual and emotionally charged single
Les Breastfeeders unveil new single On ne prête qu’aux riches before releasing new album La ville engloutie this Friday
Naya Ali announces new album “We Did The Damn Thing” out on February 7th, 2025
Experimental pop artist Christian Sean announces the release of debut album Hallelujah Showers
A look back at the Premier gala de l’ADISQ and the Industry Gala!
Jonathan Personne goes from ‘60s pop to shoegaze on Nuage noir and Nouveau monde, two songs that complement each other in their differences
Magi Merlin returns with catchy new single Bip
Claudia Bouvette’s new album, DIARY FOR THE LONELY HEARTS, is out today!
Claudia Bouvette unveils new single LONELY HEARTS before the release of her sophomore album on Friday
Laurence-Anne presents new single Melancolía two weeks before embarking on a Mexican tour
Claudia Bouvette featured as Spotify RADAR Canada’s artist of the month
Our 2024 GAMIQ nominations!
Lisa LeBlanc unveils a live version of You Look Like Trouble (But I Guess I Do Too) two days before the release of her new album
Annie-Claude Deschênes signs with Bonsound and releases MENACE MINIMALE, a dystopic yet catchy first single
A key figure on the Montreal independent music scene for almost twenty years, Annie-Claude Deschênes (Duchess Says, PyPy) reveals the first single from her solo project, MENACE MINIMALE, which infuses the melodies and rhythms of synthpop with an eerie sense of tension. The song is a joint release between Bonsound (Canada) and Italians Do It Better (rest of the world).
In this ode to ephemerality, Annie-Claude seeks to redefine her thought patterns under the pressure of time. The grinding bassline gives a menacing tone to the track, while the urgent and cadenced rhythms evoke humanity’s constant race against its own obsolescence. The result gives the impression of dancing to the sound of minutes lost forever under the judgmental gaze of surveillance cameras and introspection.
Over the course of the last two decades, Annie-Claude Deschênes made her mark as a singer, musician, songwriter, performer and visual artist with Duchess Says and PyPy, two bands that are known as much for their electrifying performances as for their artistic sensibility. She shared the stage with a number of internationally renowned artists, including The Yeah Yeah Yeahs, Teenage Jesus and the Jerks, The Black Lips, The Hives, The Hot Snakes and Buzzcocks, among others. Duchess Says and PyPy's extensive touring has taken her all over North America and Europe, playing venues, bars and festivals (Primavera Fest, Eurockéennes de Belfort, OSHEAGA, Sled Island, etc.) as well as golf courses, factories and churches.
The artist’s exploratory approach to staging and sound design takes a new direction with the genesis of this solo project: the urgency that characterizes her work remains, but frustration and aggression give way to introspection and vulnerability. Annie-Claude Deschênes explores and reinvents herself under her own name, driven by a constant need to create outside of her comfort zone while bending the pre-established conventions of stage presence.
