Magi Merlin goes from sweet and sunny to dark and moody on the new double single Bip / 9volt
Naya Ali returns with new country-inspired rap single Turning Tables
Christian Sean releases riveting alt-pop single Eventide off his upcoming debut album Hallelujah Showers
Shaina Hayes unveils a live session of her song Heat Wave and announces a concert at the Fairmount Theatre
Joe Rocca reunites Dead Obies in a new video for the song Told Ya ahead of the Hybride launch show
Les Breastfeeders release La ville engloutie, their first album in 12 years
Täbï Yösha returns with Truth Lays, a new sensual and emotionally charged single
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Naya Ali announces new album “We Did The Damn Thing” out on February 7th, 2025
Experimental pop artist Christian Sean announces the release of debut album Hallelujah Showers
A look back at the Premier gala de l’ADISQ and the Industry Gala!
Jonathan Personne goes from ‘60s pop to shoegaze on Nuage noir and Nouveau monde, two songs that complement each other in their differences
Magi Merlin returns with catchy new single Bip
Claudia Bouvette’s new album, DIARY FOR THE LONELY HEARTS, is out today!
Claudia Bouvette unveils new single LONELY HEARTS before the release of her sophomore album on Friday
Laurence-Anne presents new single Melancolía two weeks before embarking on a Mexican tour
Claudia Bouvette featured as Spotify RADAR Canada’s artist of the month
Our 2024 GAMIQ nominations!
Marie Davidson & L’Œil Nu release a cinematic music video for Back To Rock
Marie Davidson & L’Œil Nu unveil a video for the song Back To Rock, off their album Renegade Breakdown, released on September 25th via Bonsound (Canada) and Ninja Tune (ROW). Leaning away from the electronic beats that have defined Marie Davidson's sound so far, Back To Rock is a long and powerful confession, a melancholic prog ballad that showcases the musicians’ choice to record with classic instruments such as drums, guitar, bass, and piano. Renegade Breakdown is available on vinyl and on all music services.
Directed by Loïc Darses, the cinematic short film sets Marie in an empty nightclub at the end of her last live club set. The video follows her on a physical and metaphorical journey of self-imposed exile as she drags her massive road case behind her, like Sisyphus's burden. She moves through semi-dreamlike industrial wastelands, where abandoned non-descript locations mingle with lost oil refinement factories to form breathtaking surrealist tableaus of urban decay, before eventually reaching a final point of cathartic release.
